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Textual Amulets of the Mediterranean World: 1000 BCE - 1000 CE

Conference

Textual Amulets of the Mediterranean World: 1000 BCE - 1000 CE

At this conference, a group of international scholars will explore the relationship between text and image on a set of ancient amulets.

People in pre-modern cultures wore many objects on their bodies as amulets, such as roots, seashells, or carved images. But at different points in time all of the cultures of the ancient Mediterranean began to inscribe prayers and charms on linen, papyrus, gold foil, or gemstones, and to use them as amulets. At this conference, a group of international scholars will ask and try to answer numerous questions about what happens at this point of transition and why. Does the more permanent nature of a text imply its continual presence, ever repeating? Were textual amulets created and used by literate elites alone? What is the relationship between text and image on amulets? If gods previously listened to prayers, when did they learn to read? This conference stems from a larger project to publish a representative collection of textual amulets from across the Mediterranean and throughout antiquity, facilitating the study of the various traditions, their connections, and transformations.

This conference will be available on livestream via Zoom on May 9 and May 10.

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PARTICIPANTS

Clifford Ando
(University of Chicago)
Anke Ilona Blöbaum (Saxon Academy of Sciences and Humanities in Leipzig)
Korshi Dosoo (University of Würzburg)
Rivka Elitzur-Leiman (Fordham University; Neubauer Collegium Visiting Fellow)
Christopher Faraone (University of Chicago)
Anthony Kaldellis (University of Chicago)
Carolina López-Ruiz (University of Chicago)
Margaret Mitchell (University of Chicago)
Árpád Nagy (University of Pécs, Hungary)
Megan Nutzman (Old Dominion University)
Madadh Richey (Brandeis University)
Joe Sanzo (Ca’ Foscari University of Venice; Neubauer Collegium Visiting Fellow)
Panagiota Sarischouli (Aristotle University of Thessaloniki)
Sofia Torallas Tovar (University of Chicago)
Erin Walsh (University of Chicago)
Michael Zellmann-Rohrer (Macquarie University / Freie Universität Berlin)

This conference is presented by the Textual Amulets of the Mediterranean World research project at the Neubauer Collegium in partnership with the Divinity School and Classics Department at the University of Chicago.

Neubauer Collegium

WORKS BY: Exhibition Reception

Exhibition Opening

WORKS BY: Exhibition Reception

This event celebrates an exhibition featuring works by four Chicago-based artists who share an interest in the many meanings of “labor.”

How much work does it take to make art seem effortless? Works By attempts to answer this question by bringing together four Chicago-based artists who share an interest in the many meanings of “labor.” The centerpiece of the exhibition is a floor drawing by Tony Lewis, performatively produced on site starting May 1. A sculpture by Devin T. Mays features pallets collected during his wanderings around Chicago’s South Side. Erased: (Unrelated), a 2012 photograph by Bethany Collins, captures a cloud of chalk dust released into a black void—the remnants of the word “unrelated” repeatedly written on a blackboard and then erased. A large photo by Ellen Rothenberg depicts a work boot; another captures a giant lump of crumpled paper that was once a Barbara Kruger mural. The fruits of these artists’ labors will be on view from May 1 (International Workers’ Day) through July 14 (Bastille Day)—two dates that commemorate landmark events in the history of the working class.

Neubauer Collegium