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Faculty Fellow

Danielle Roper

Neubauer Family Assistant Professor in Latin American Literature  University of Chicago

Biography

Danielle Roper specializes in contemporary racial and queer performance, racial formation, feminist activism, and visual culture in the Hemispheric Americas. Her work on Caribbean feminism, mestizaje, queer art, and racial impersonation has appeared in Latin American Research Review, SmallAxe, GLQ (forthcoming), and elsewhere. Roper is the curator of the virtual exhibition Visualizing/Performing Blackness in the Afterlives of Slavery: A Caribbean Archive. In her book manuscript, tentatively titled Hemispheric Blackface: Impersonation and Racial Formation in the Americas, she develops the concept of hemispheric blackface to name a network of impersonation in the Americas and to uncover the function of blackface performance in societies organized around discourses of racial democracy and creole nationalism. Roper holds a PhD in Spanish and Portuguese (2015) and an MA in Performance Studies (2009) from New York University.

To learn more about Danielle Roper's research and publications, please see her profile page at the Department of Romance Languages and Literatures.

Featured Project

A sugar-cast pair of Nike Air Jordans

Slavery and Visual Culture

Project Topics:

2020 – 2023

Projects

Visual Regimes of Enslavement and Their Afterlives

Titus Kaphar, Behind the Myth of Benevolence, 2014.

Visual Regimes of Enslavement and Their Afterlives

This project will investigate how visual practices fostered during the slaveholding era in the circum-Atlantic world have underwritten or organized contemporary modes of seeing black bodies.
This project gathers an interdisciplinary group of scholars who, in the context of closed seminars, public events, and digital exhibits, will investigate how visual practices fostered during the slaveholding era in the circum-Atlantic world have underwritten modes of seeing Black bodies beyond ...