Tom McEnaney works on the history of media and technology, Argentine, Cuban, and U.S. literature, sound studies, linguistic anthropology, computational (digital) humanities, and new media studies. He holds a joint appointment in the Department of Spanish & Portuguese and serves on the Executive Committee of the Berkeley Center for New Media, and the Executive Board of UC Cuba. He is also affiliated with the Program in Critical Theory, the Center for Science, Technology, Medicine and Society, and the Data Science Lab (D-Lab). McEnaney is at work on a book about textual and musical experiments with tape technology in the late 1960s and their consequences for testimonial writing, rock nacional, electronic music, and audiobooks in the Americas.

For more details on his research and publications, please visit his profile page at the University of California, Berkeley.