This project consisted of an exhibition in Moscow and a workshop in Chicago to explore a pressing problem of modern and contemporary societies: what should we do with monuments of the past, and how should we build monuments for the future? Through the reconstruction of a cardboard monument built in Spain and sent to the Soviet Union in 1937, the research team recovered a long-forgotten history of an artistic exchange and initiated a conversation about experimental monumentality from the 1910s to the present. The first part of this project included an exhibition at the Shchusev State Museum of Architecture in Moscow, the final part of the reenactment of a performative monument built and destroyed during the Spanish Civil War. Following the Spanish tradition of Fallas, the monument was built by unions in Spain, sent to the USSR as a gift for the twentieth anniversary of the Bolshevik Revolution, and burned in a ceremonial bonfire. According to Spanish Communists, this was a model for how the monuments of international Communism should be: built by the community, movable, ritual, transient. The construction, journey, exhibition, and final immolation of the monument was documented. The resulting material was screened at the Neubauer Collegium in the context of a workshop at which invited artists and scholars discussed examples of experimental monumentality in the twentieth and twenty-first centuries.